| title |
composer |
artists/ensemble |
play |
|
Alleluia
|
Leonard Bernstein
|
John Lankston, tenor, "Voltaire"; David Eisler, tenor, "Candide"; Scott Reeve, "Maximilian"; John Mauceri, Conductor; New York City Opera Chorus and Orchestra |
|
|
Anyone Can Whistle
|
Stephen Sondheim
|
Stephen Sondheim, voice; Stephen Sondheim, piano |
|
|
Anyone Can Whistle
(Anyone Can Whistle)
|
Stephen Sondheim
|
Jean Danton, soprano; Doug Hammer, piano; Steve Chaggaris, percussion |
|
|
Auto-da-Fe (What a Day): Parts I-III
|
Leonard Bernstein
|
New York City Opera Chorus and Orchestra; Ivy Austin, voice, "First Woman"; Rhoda Butler, voice, "Second Woman"; Don Yule, voice, "First Inquisitioner/Judge"; William Ledbetter, voice, "Second Inquisitionor/Judge"; Maria Donaldi, voice, "Altar Boy"; Joyce Castle, "Old Lady"; Erie Mills, soprano, "Cunegonde"; Robert Brubaker, voice, "Man"; James Billings, voice, "Judge"; Jack Harrold, voice, "Grand Inquisitor"; John Mauceri, Conductor |
|
|
Ballad of the New World
|
Leonard Bernstein
|
New York City Opera Chorus and Orchestra; David Eisler, tenor, "Candide"; John Mauceri, Conductor |
|
|
Barcarolle
|
Leonard Bernstein
|
New York City Opera Chorus and Orchestra; John Mauceri, Conductor |
|
|
Being Alive
(Company)
|
Stephen Sondheim
|
Jean Danton, soprano; Doug Hammer, piano; Steve Chaggaris, percussion |
|
|
The Best of All Possible Worlds
|
Leonard Bernstein
|
Erie Mills, soprano, "Cunegonde"; Maris Clement, mezzo-soprano, "Paquette"; John Lankston, tenor, "Dr. Pangloss"; David Eisler, tenor, "Candide"; Scott Reeve, bass-baritone, "Maximilian"; John Mauceri, Conductor; New York City Opera Chorus and Orchestra |
|
|
Bon Voyage
|
Leonard Bernstein
|
John Lankston, tenor, "Governor"; John Mauceri, Conductor; New York City Opera Chorus and Orchestra |
|
|
Candide Begins His Travels
|
Leonard Bernstein
|
John Mauceri, Conductor; New York City Opera Chorus and Orchestra |
|
|
Candide's Lament
|
Leonard Bernstein
|
New York City Opera Chorus and Orchestra; David Eisler, tenor, "Candide"; John Mauceri, Conductor |
|
|
Constantinople/What's the Use
|
Leonard Bernstein
|
John Lankston, tenor, "Second Gambler (Police Chief)"; Jack Harrold, voice, "Pasha-Prefect"; James Billings, voice, "First Gambler"; John Mauceri, Conductor; New York City Opera Chorus and Orchestra |
|
|
Earthquake Music/Dear Boy
|
Leonard Bernstein
|
New York City Opera Chorus and Orchestra; John Lankston, tenor, "Dr. Pangloss"; John Mauceri, Conductor |
|
|
Eldorado
|
Leonard Bernstein
|
John Mauceri, Conductor; New York City Opera Chorus and Orchestra |
|
|
Entr'acte
|
Leonard Bernstein
|
John Mauceri, Conductor; New York City Opera Chorus and Orchestra |
|
|
Entrance of The Jew
|
Leonard Bernstein
|
John Mauceri, Conductor; New York City Opera Chorus and Orchestra |
|
|
Fanfare/Life is Happiness Indeed
|
Leonard Bernstein
|
Erie Mills, soprano, "Cunegonde"; Maris Clement, mezzo-soprano, "Paquette"; John Lankston, tenor, "Voltaire"; David Eisler, tenor, "Candide"; Scott Reeve, bass-baritone, "Maximilian"; John Mauceri, Conductor; New York City Opera Chorus and Orchestra |
|
|
Finale: Make Our Garden Grow
|
Leonard Bernstein
|
New York City Opera Chorus and Orchestra; John Lankston, tenor, "Voltaire"; David Eisler, tenor, "Candide"; Erie Mills, soprano, "Cunegonde"; Maris Clement, mezzo-soprano, "Paquette"; Joyce Castle, mezzo-soprano, "Old Lady"; Scott Reeve, bass-baritone, "Maximilian"; John Mauceri, Conductor |
|
|
Glitter and Be Gay
|
Leonard Bernstein
|
New York City Opera Chorus and Orchestra; Erie Mills, soprano, "Cunegonde"; John Mauceri, Conductor |
|
|
Governor's Waltz
|
Leonard Bernstein
|
John Mauceri, Conductor; New York City Opera Chorus and Orchestra |
|
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