Items 1 – 5 of 5 shown.
| title |
composer |
artists/ensemble |
play |
|
Cheer, Boys, Cheer! Music Of The 26th N.C. Regimental Band, CSA Volume 2
|
William H. Hartwell
|
Raymond Mase, E-flat cornet; Buckley; David Wakefield, alto horn; Anon.; Robert E. Sheldon, alto horn; American Brass Quintet Brass Band; Michael Powell, B-flat tenor horn; John D. Rojak, E-flat bass horn; Benjamin Herman, bass drum; Lee Soper, cornet; Kevin Cobb, cornet; Allan Dean, E-flat cornet; Michael Hosford, B-flat tenor horn; John R. Beck, snare drum; Kenneth Finn, alto horn |
|
|
The Hand That Holds The Bread: Progress and Protest in the Gilded Age Songs from the Civil War to the Columbian Exposition
|
Frank Egerton
|
Cincinnati's University Singers; Sour Mash; Anon. |
|
|
Lost Sounds
Blacks and the Birth of the Recording Industry 1891-1922
|
Chas. Hunn
|
Unique Quartette; Standard Quartette; Oriole Quartette; Cousins and DeMoss; Sam Cousins; Ed DeMoss; Dinwiddie Colored Quartet; Polk Miller's Old South Quartette; Randall Graves, tenor; Fisk University Jubilee Quartet; John Wesley Work II, tenor; James Andrew Myers, tenor; Alfred Garfield King, bass; Noah Walker Ryder, bass; Apollo Jubilee Quartet; Right Quintette; James W. Loguen, tenor; Clarence Tisdale, tenor; James M. Thomas, baritone; James E. Lightfoot, bass; Leon Adger, piano; Four Harmony Kings; Ivan Browning, tenor; William A. Hann, bass; Charley Case, speaker; George W. Johnson; Louis Vasnier, speaker; Williams and Quinn's Imperial Minstrels Spencer; Len Spencer, speaker; Billy Williams, speaker; Williams and Walker; Bert Williams; George Walker; George W. Johnson, speaker; Bert Williams, baritone; Jack Johnson, speaker; Opal Cooper, tenor; Noble Sissle, tenor; Booker T. Washington, speaker; Thomas Craig, bass; Carroll Clark, baritone; Daisy Tapley, contralto; Roland Hayes, tenor; Harry T. Burleigh, baritone; Edward H.S. Boatner, baritone; Florence Cole-Talbert, soprano; William Leonard King, piano; R. Nathaniel Dett, piano; Clarence Cameron White, violin; Edward Sterling Wright, speaker; Europe's Society Orchestra; Joan Sawyer's Persian Garden Orchestra; Ciro's Club Coon Orchestra; Seth Jones, baritone; Wilbur Sweatman, clarinet; Emerson Trio; Memphis Pickaninny Band; Eubie Blake Trio; Eubie Blake, piano; Blake's Jazzone Orchestra; Wilbur Sweatman's Original Jazz Band; Lieutenant Jim Europe's 369th Infantry "Hell Fighters" Band; Dabney's Band; Handy's Memphis Blues Band |
|
|
Phonographic Yearbook: The 1890s, Vol. 1
|
John Philip Sousa
|
The Sousa Band; John W. Myers, baritone; George J. Gaskin; Haydn Quartet; John Bieling, tenor; Jere Mahoney, tenor; S. H. Dudley, baritone; William F. Hooley, bass; Gilmore's Band; Dan W. Quinn, tenor; John Yorke AtLee; Fred Gaisberg, piano; Russell Hunting; Edison Quartet; Roger Harding, tenor; Edison Grand Concert Band; George W. Johnson; Ada Jones; Edward M. Favor; U.S. Marine Band; Cal Stewart; Billy Golden; Arthur Collins; John J. Fisher, bass; Steve Porter, baritone; Edward Franklin; Vess L. Ossman, banjo; Len Spencer |
|
|
The Pink Lambert
A Collection of the First Celluloid Cylinders
|
George A. Norton
|
Joseph Natus, tenor; American Quartet; Joe Belmont; Metropolitan Band; Arthur Collins, baritone; H. S. Wright, whistling; Otto Mesloh, cornet; Steve Porter, baritone; London Concert Orchestra; Harry MacDonough, tenor |
|
Next Page
Next Page