title |
composer |
artists/ensemble |
play |
44 Harmonies from Apartment House 1776
arranged for string quartet by Irvine Arditti
|
John Cage
|
Rohan de Saram, violoncello; Arditti String Quartet; Graeme Jennings, violin; Irvine Arditti, violin; Dov Scheindlin, viola |
|
The Bewitched - A Dance Satire
|
Harry Partch
|
Thomas Gauger, bamboo marimba; Sanford Berry; William Olson, marimba eroica; Joseph Firrantello, bass clarinet; Carol Zuckerberg, koto; William Olson; Herbert Bielawa; Danlee Mitchell, diamond marimba; Jan Bach; Barbara Grammar, harmonic canon; Warren Birkett, clarinet; Warren Smith, bass marimba; Charles Delaney, piccolo; University of Illinois Musical Ensemble; Peter Farrell, violoncello; Freda Schell, soprano; Michael Donzella, spoils of war; Jack McKenzie; George Andrix, cloud chamber bowls; John Garvey, Conductor; Chorus of Lost Musicians; Georgi Mayer, harmonic canon |
|
Cantata: All'ombra Di Sospetto, R.V. 178
|
Davi Schrader
|
Chicago Baroque Ensemble; Jerry Fuller, baroque contrabass; Anita Miller-Rieder, transverse flute; John Mark Rozendaal, violoncello; Christopher Verrette, violin; Susan Rozendaal, viola; Jeri-Lou Zike, violin |
|
Cantata: Chi Rapì la Pace al Core?
|
George Frederic Handel
|
Chicago Baroque Ensemble; Patrice Michaels, soprano; John Mark Rozendaal, viola da gamba; David Schrader, harpsichord; Anita Miller-Rieder, transverse flute; John Mark Rozendaal, violoncello; Susan Rozendaal, viola; Jeri-Lou Zike, violin |
|
Cantata: La Lucrezia
|
George Frederic Handel
|
Chicago Baroque Ensemble; Patrice Michaels, soprano; John Mark Rozendaal, viola da gamba; Anita Miller-Rieder, transverse flute; John Mark Rozendaal, violoncello; Susan Rozendaal, viola; Jeri-Lou Zike, violin |
|
Cantata: Lungi Dal Vago Volto, R.V. 680
|
Davi Schrader
|
Chicago Baroque Ensemble; Jerry Fuller, baroque contrabass; Anita Miller-Rieder, transverse flute; John Mark Rozendaal, violoncello; Christopher Verrette, violin; Susan Rozendaal, viola; Jeri-Lou Zike, violin |
|
Cantata: Un' Alma Innamorata
|
George Frederic Handel
|
Chicago Baroque Ensemble; Patrice Michaels, soprano; John Mark Rozendaal, viola da gamba; David Schrader, harpsichord; Anita Miller-Rieder, transverse flute; John Mark Rozendaal, violoncello; Susan Rozendaal, viola; Jeri-Lou Zike, violin |
|
Cézanne’s Doubt
A chamber opera for solo voice, clarinet, trumpet, cello, audio & video processing
|
Daniel Rothman
|
David Smeyers, clarinet; Wadada Leo Smith, trumpet; Kent Clelland, electronics; Thomas Buckner, baritone; Elliot Anderson, "video processing and projection"; Jim Campbell, "video processing and projection"; Theodore Mook, violoncello |
|
cello piece
|
Tim Parkinson
|
Stefan Thut, violoncello |
|
Cello Sonata in B flat, Opus 14, No. 4; R.V. 45
|
Davi Schrader
|
Chicago Baroque Ensemble; Jerry Fuller, baroque contrabass; Anita Miller-Rieder, transverse flute; John Mark Rozendaal, violoncello; Christopher Verrette, violin; Susan Rozendaal, viola; Jeri-Lou Zike, violin |
|
Concerto for Violoncello & Orchestra
|
George Barati
|
Bernard Michelin, violoncello; George Barati, Conductor; London Philharmonic Orchestra |
|
Concerto in D minor for Strings, R.V. 128
|
Davi Schrader
|
Chicago Baroque Ensemble; Jerry Fuller, baroque contrabass; Anita Miller-Rieder, transverse flute; John Mark Rozendaal, violoncello; Christopher Verrette, violin; Susan Rozendaal, viola; Jeri-Lou Zike, violin |
|
Concerto in G major for Flute and Strings, R.V. 436
|
Davi Schrader
|
Chicago Baroque Ensemble; Jerry Fuller, baroque contrabass; Anita Miller-Rieder, transverse flute; John Mark Rozendaal, violoncello; Christopher Verrette, violin; Susan Rozendaal, viola; Jeri-Lou Zike, violin |
|
Crossings
|
Ben Johnston
|
Karl Lavine, violoncello; Kepler Quartet; Sharan Leventhal, violin; Brek Renzelman, viola; Eric Segnitz, violin |
|
Divertimento
|
Walter Piston
|
New York Chamber Ensemble; Stephen Rogers Radcliffe, Conductor; Alan R. Kay, clarinet; Julie Rosenfeld, violin; Matthew Dine, oboe; Michael Finn, bassoon; James Baker, violin; Francesca Martin Silos, viola; Diane Chaplin, violoncello; Susan Rotholz, flute; Carolyn Davis Fryer, bass |
|
Divinum Mysterium
|
Daniel Kellog
|
Lisa Kaplan, piano; Matt Albert, violin; Molly Alicia Barth, flute; Nicholas Photinos, violoncello; Eighth Blackbird; Michael J. Maccaferri, clarinet; Matthew Duvall, percussion; Chanticleer |
|
Eleven Studies for Eleven Players
|
Ned Rorem
|
New York Chamber Ensemble; Stephen Rogers Radcliffe, Conductor; Paul Hostetter, percussion; Alan R. Kay, clarinet; Susan Rotholz, flute; Matthew Dine, oboe; Carl Albach, trumpet; James Baker, percussion; Julie Rosenfeld, violin; Francesca Martin Silos, viola; Diane Chaplin, violoncello; David Korevaar, piano; (not credited), harp |
|
Emerson
|
|
Deborah Dunham, bass; Beth Pearson, violoncello; David Hoose, Conductor |
|
The Floating Box
|
Catherine Filloux
|
Wang Guowei, goohu ; Min Xiao-fen, pipa; Michiyo Suzuki, clarinet; Satoshi Takeishi, percussion; Scott Chan; Wai Ching Ho; Ryu-Kyung Kim, mezzo-soprano; Sandia Ang, soprano; Patti Monson, flute; Patti Monson, piccolo; Diana Herold, vibraphone; Mona Chiang; Patti Monson, alto flute; Wang Guowei, erhu; Wang Guowei, Chinese two stringed violin; Henry Yuk; William Schimmel, accordion; Zheng Zhou, baritone; Juan Carlos Rivas, Conductor; Diana Herold, percussion; Michiyo Suzuki, bass clarinet; Chiv Charlee; Tomas Ulrich, violoncello |
|
Gelduld Und Gelegenheit
|
Walter Zimmermann
|
Hermann Kretzschmar, piano; Michael Bach, violoncello |
|