| title |
composer |
artists/ensemble |
play |
|
...gesammeltes Schweigen
|
Reiko Füting
|
Nani Füting, mezzo-soprano |
|
|
After Long Silence
|
Nathan Douds
|
Nathan Douds Ensemble; Nathan Douds, percussion; Jason Kush, saxophone; Jason Kush, clarinet; Justin Endler, voice; Justin Endler, alto saxophone; Justin Endler, laptop; Dan Murphy, piano; Daniel Bruce, guitar; Kurt Kotheimer, bass |
|
|
Archetypes
|
C.R. Kasprzyk
|
Conor Nelson, flute |
|
|
The Art of Fugue
|
Johann Sebastian Bach
|
DUO Stephanie & Saar; Stephanie Ho, piano; Saar Ahuvia, piano |
|
|
Étude d’un prélude X—Second String Quartet
|
Richard Beaudoin
|
Kreutzer Quartet; Peter Sheppard Skærved, violin; Mihailo Trandafilovski, violin; Morgan Goff, viola; Neil Heyde, cello |
|
|
Études pour piano, Livre II
|
Claude Debussy
|
Yegor Shevtsov, piano |
|
|
Beyond Romance
|
Ben Bierman
|
Hilary Gardner, voice; Matthew Scott, voice; Jeb Patton, piano |
|
|
Book of Memory
|
Paul Lansky
|
Janus |
|
|
Bring Something Incomprehensible into this World
|
Scott Wollschleger
|
Andy Kozar, trumpet; Corinne Byrne, soprano |
|
|
Brontal No. 3
|
Scott Wollschleger
|
Red Light New Music; Roberta Michel, flute; Christa Van Alstine, clarinet; Kate Sheeran, horn; Kevin Sims, percussion; Yegor Shevtsov, piano; Esther Noh, violin; Erin Wright, viola; John Popham, cello; Ted Hearne, Conductor |
|
|
Cakewalking (Sorry Claude)
|
Daniel Felsenfeld
|
Kathleen Supové, piano |
|
|
Cantate de la rose et de léamour, Op.104a
|
Louis Durey
|
Adriana Zabala, mezzo-soprano; Jocelyn Dueck, piano |
|
|
Chamber Concerto
|
Liam Robertson
|
Red Light New Music; Roberta Michel, flute; Christa Van Alstine, clarinet; Kate Sheeran, horn; Kevin Sims, percussion; Yegor Shevtsov, piano; Esther Noh, violin; Erin Wright, viola; John Popham, cello; Ted Hearne, Conductor |
|
|
Ciphers & Constellations in Love with a Woman
Third String Quartet
|
Jonathan Dawe
|
Miranda Cuckson, violin; Keats Dieffenbach, violin; Kyle Armbrust, viola; Christopher Gross, cello |
|
|
Concerto for cello, strings and basso continuo, RV 401 in C Minor
|
Antonio Vivaldi
|
Handel and Haydn Society; Guy Fishman, cello, "solo"; Aisslinn Nosky, violin; Susanna Ogata, violin; David Miller, viola; Sarah Freiberg, cello; Robert Nairn, bass; Paula Chateauneuff, theorbo; Ian Watson, harpsichord |
|
|
Concerto for cello, strings and basso continuo, RV 403 in D Major
|
Antonio Vivaldi
|
Handel and Haydn Society; Guy Fishman, cello, "solo"; Aisslinn Nosky, violin; Susanna Ogata, violin; David Miller, viola; Sarah Freiberg, cello; Robert Nairn, bass; Paula Chateauneuff, theorbo; Ian Watson, harpsichord |
|
|
Concerto for cello, strings and basso continuo, RV 405 in D Minor
|
Antonio Vivaldi
|
Handel and Haydn Society; Guy Fishman, cello, "solo"; Aisslinn Nosky, violin; Susanna Ogata, violin; David Miller, viola; Sarah Freiberg, cello; Robert Nairn, bass; Paula Chateauneuff, theorbo; Ian Watson, harpsichord |
|
|
Concerto for cello, strings and basso continuo, RV 410 in F Major
|
Antonio Vivaldi
|
Handel and Haydn Society; Guy Fishman, cello, "solo"; Aisslinn Nosky, violin; Susanna Ogata, violin; David Miller, viola; Sarah Freiberg, cello; Robert Nairn, bass; Paula Chateauneuff, theorbo; Ian Watson, harpsichord |
|
|
Concerto for cello, strings and basso continuo, RV 413 in G Major
|
Antonio Vivaldi
|
Handel and Haydn Society; Guy Fishman, cello, "solo"; Aisslinn Nosky, violin; Susanna Ogata, violin; David Miller, viola; Sarah Freiberg, cello; Robert Nairn, bass; Paula Chateauneuff, theorbo; Ian Watson, harpsichord |
|
|
Concerto for cello, strings and basso continuo, RV 418 in A Minor
|
Antonio Vivaldi
|
Handel and Haydn Society; Guy Fishman, cello, "solo"; Aisslinn Nosky, violin; Susanna Ogata, violin; David Miller, viola; Sarah Freiberg, cello; Robert Nairn, bass; Paula Chateauneuff, theorbo; Ian Watson, harpsichord |
|
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