| title |
composer |
artists/ensemble |
play |
|
Alte Liebeslieder, Book IV: I. What Language
|
Sydney Hodkinson
|
Robert Sylvester, cello; Philip West, oboe; Robert Spillman, piano; John Beck, percussion; Sydney Hodkinson, Conductor; Jan DeGaetani, mezzo-soprano |
|
|
Alte Liebeslieder, Book IV: II. The Invisible Moon
|
Sydney Hodkinson
|
John Beck, percussion; Robert Spillman, piano; Robert Sylvester, cello; Philip West, oboe; Sydney Hodkinson, Conductor; Jan DeGaetani, mezzo-soprano |
|
|
Alte Liebeslieder, Book IV: III. Dreaming Fingers
|
Sydney Hodkinson
|
Robert Spillman, piano; Robert Sylvester, cello; John Beck, percussion; Philip West, oboe; Sydney Hodkinson, Conductor; Jan DeGaetani, mezzo-soprano |
|
|
Alte Liebeslieder, Book IV: IV. Burn Off This Sleep
|
Sydney Hodkinson
|
Sydney Hodkinson, Conductor; Robert Spillman, piano; Robert Sylvester, cello; Philip West, oboe; John Beck, percussion; Jan DeGaetani, mezzo-soprano |
|
|
Alte Liebeslieder, Book IV: V. Your Body is a Dance
|
Sydney Hodkinson
|
Sydney Hodkinson, Conductor; John Beck, percussion; Robert Sylvester, cello; Robert Spillman, piano; Philip West, oboe; Jan DeGaetani, mezzo-soprano |
|
|
Alte Liebeslieder, Book IV: VI. Sweet Suicide
|
Sydney Hodkinson
|
Sydney Hodkinson, Conductor; Robert Sylvester, cello; John Beck, percussion; Philip West, oboe; Robert Spillman, piano; Jan DeGaetani, mezzo-soprano |
|
|
Blood and Milk Songs: A Daughter Cuts Her Hair
|
Robert Stern
|
Eastman Musica Nova Ensemble; Sydney Hodkinson, Conductor; Deborah Kraus, mezzo-soprano; Elizabeth Fulford, soprano |
|
|
Blood and Milk Songs: Antiphonal
|
Robert Stern
|
Elizabeth Fulford, soprano; Deborah Kraus, mezzo-soprano; Eastman Musica Nova Ensemble; Sydney Hodkinson, Conductor |
|
|
Blood and Milk Songs: Letter to
|
Robert Stern
|
Eastman Musica Nova Ensemble; Sydney Hodkinson, Conductor; Deborah Kraus, mezzo-soprano; Elizabeth Fulford, soprano |
|
|
Blood and Milk Songs: Prologue
|
Robert Stern
|
Elizabeth Fulford, soprano; Eastman Musica Nova Ensemble; Sydney Hodkinson, Conductor; Deborah Kraus, mezzo-soprano |
|
|
Blood and Milk Songs: Round
|
Robert Stern
|
Deborah Kraus, mezzo-soprano; Elizabeth Fulford, soprano; Eastman Musica Nova Ensemble; Sydney Hodkinson, Conductor |
|
|
Blood and Milk Songs: Song for a Vigil
|
Robert Stern
|
Elizabeth Fulford, soprano; Deborah Kraus, mezzo-soprano; Eastman Musica Nova Ensemble; Sydney Hodkinson, Conductor |
|
|
Heaven to clear when day did close
|
David Maslanka
|
Sydney Hodkinson, Conductor; Ramon Ricker, tenor saxophone; Eastman Musica Nova Ensemble; James Lyon, violin; Nancy Holland, viola; Carol Purdy, cello; Clay Purdy, violin |
|
|
in dark: Adagio (vocalise)
|
Gerald Levinson
|
Eastman Musica Nova Ensemble; Elizabeth Fulford, soprano; Sydney Hodkinson, Conductor |
|
|
in dark: Andante (the moon comes down)
|
Gerald Levinson
|
Eastman Musica Nova Ensemble; Elizabeth Fulford, soprano; Sydney Hodkinson, Conductor |
|
|
in dark: Lento (they moved like fish)
|
Gerald Levinson
|
Sydney Hodkinson, Conductor; Eastman Musica Nova Ensemble; Elizabeth Fulford, soprano |
|
|
in dark: Liberamente, sempre espressivo (vocalise)
|
Gerald Levinson
|
Elizabeth Fulford, soprano; Sydney Hodkinson, Conductor; Eastman Musica Nova Ensemble |
|
|
in dark: Scherzando (in dark)
|
Gerald Levinson
|
Eastman Musica Nova Ensemble; Elizabeth Fulford, soprano; Sydney Hodkinson, Conductor |
|
|
In Praise of Practically Nothing: Hymn
|
Brian Israel
|
Sydney Hodkinson, Conductor; Eastman Musica Nova Ensemble; Jeffrey Fhanestock, tenor |
|
|
In Praise of Practically Nothing: Lullabye
|
Brian Israel
|
Sydney Hodkinson, Conductor; Jeffrey Fhanestock, tenor; Eastman Musica Nova Ensemble |
|
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