title |
composer |
artists/ensemble |
play |
22 Part I
|
David Sanford
|
Eric Bartlett, cello; Margaret Kampmeier, piano |
|
Arioso and Burlesca
|
Hugo Weisgall
|
Eric Bartlett, cello; Margaret Kampmeier, piano |
|
Bullycide
|
David Del Tredici
|
Curtis Macomber, violin; Anna Lim, violin; Marka Gustavsson, viola; Christopher Finckel, cello; Jeremy McCoy, bass; Margaret Kampmeier, piano |
|
Cold Mountain Songs
|
Robert Morris
|
Deborah Norin-Kuehn, voice; Margaret Kampmeier, piano |
|
Concertini
|
Ronald Caltabiano
|
Lewis Paer, contrabass; Group for Contemporary Music; Mike Finn, bassoon; Brian Greene, oboe; Tara Helen O'Connor, flute; Sunghae Anna Lim, violin; John Ferrari, percussion; Lewis Paer, bass; Margaret Kampmeier, piano; Stewart Rose, horn; Curtis Macomber, violin; Raymond Mase, trumpet; Michael Powell, trombone; Charles Neidich, clarinet; William Purvis, horn; Lois Martin, violin; Fred Sherry, cello; Ronald Caltabiano, Conductor |
|
Concertino
|
Lewis Spratlan
|
Daniel Grabois, horn; Paul Hostetter, Conductor; Patti Monson, flute; Sequitur; Brian McWhorter, trumpet; Gregory Hesselink, cello; Jacqueline Leclair, oboe; Jeremy McCoy, double bass; Carrie Koffman, saxophone; Margaret Kampmeier, piano; Julie Josephson, trombone; Daniel Panner, viola; Matthew Gold, percussion |
|
Dylan Thomas' LAMENT and a Complementary ENVOI
|
Claudio Spies
|
Nathaniel Watson, baritone; Margaret Kampmeier, piano |
|
Fourteen Little Piano Pieces
|
Robert Morris
|
Margaret Kampmeier, piano |
|
From the Other Side
|
Donald Martino
|
Marianne Gythfeldt, clarinet; Marianne Gythfeldt, bass clarinet; John Ferrari, percussion; Bradley Lubman, Conductor; Sunghae Anna Lim, violin; Margaret Kampmeier, piano; Joshua Gordon, cello; Sunghae Anna Lim, viola; Tara Helen O'Connor, flute; Tara Helen O'Connor, piccolo; Tara Helen O'Connor, alto flute; New Millennium Ensemble |
|
a landscape of interior resonances
|
Jeffrey Mumford
|
Margaret Kampmeier, piano |
|
Lincoln Letters
|
Christopher Berg
|
Scott Murphree, tenor; The Mirror Visions Ensemble; Margaret Kampmeier, piano; Richard Lalli, baritone |
|
The Mask
A Cycle of Five Poems for Chorus and Piano
|
William Bolcom
|
Margaret Kampmeier, piano; New York Concert Singers; Judith Clurman, Conductor |
|
Minstrel to an Unquiet Lady, op. 77
|
Arnold Rosner
|
Jonathan Goodman, tenor; Margaret Kampmeier, piano |
|
Nine Piano Pieces
|
Robert Morris
|
Margaret Kampmeier, piano |
|
Notturno
|
Donald Martino
|
Marianne Gythfeldt, clarinet; Marianne Gythfeldt, bass clarinet; John Ferrari, percussion; Sunghae Anna Lim, violin; Margaret Kampmeier, piano; Joshua Gordon, cello; Sunghae Anna Lim, viola; Tara Helen O'Connor, flute; Tara Helen O'Connor, piccolo; Tara Helen O'Connor, alto flute; New Millennium Ensemble |
|
Serenade for Six
|
Richard Festinger
|
Marianne Gythfeldt, clarinet; Gregory Hesselink, cello; New Millennium Ensemble; Tara Helen O'Connor, flute; Sunghae Anna Lim, violin; John Ferrari, percussion; Margaret Kampmeier, piano |
|
Songs from Dear Youth
|
Daron Hagen
|
Jane Shelly, flute; Tobé Malawista, soprano; Margaret Kampmeier, piano; The Mirror Visions Ensemble |
|
Songs of Lightness and Angels, op. 90
|
Arnold Rosner
|
Elizabeth Farnum, soprano; Daniel Grabois, horn; Margaret Kampmeier, piano |
|
Strictly Personals, , op. 116
|
Arnold Rosner
|
Elizabeth Farnum, soprano; Margaret Kampmeier, piano; Dominic Inferrera, baritone |
|
Three Elegiac Songs, op. 58
|
Arnold Rosner
|
Elizabeth Farnum, soprano; Margaret Kampmeier, piano |
|