title |
composer |
artists/ensemble |
play |
Act I, Scene Four: A Cell - "Good evening ev'rybody, it's been a lovely day"
|
Robert Kurka
|
Timothy Sharp, baritone; Chicago Opera Theater; Alexander Platt, Conductor; Jason Collins, tenor |
|
Act I, Scene Four: A Cell - "We're all in a hell of a mess"
|
Robert Kurka
|
Chicago Opera Theater; Alexander Platt, Conductor; Jason Collins, tenor; Timothy Sharp, baritone |
|
Act I, Scene Two: The Flagon (a tavern)-"We're having a very fine summer"
|
Robert Kurka
|
Chicago Opera Theater; Alexander Platt, Conductor; Wayne Alan Behr, tenor; Timothy Sharp, baritone; Jason Collins, tenor |
|
Act II, Scene One: Army Infirmary - "Achtung!"
|
Robert Kurka
|
Chicago Opera Theater; Alexander Platt, Conductor; Timothy Sharp, baritone; Jason Collins, tenor; Stephen Noon, tenor; Marc Embree, baritone; Wayne Alan Behr, tenor; Robert Boldin, tenor |
|
Act II, Scene One: Army Infirmary - "O-o-oh!"
|
Robert Kurka
|
Chicago Opera Theater; Alexander Platt, Conductor; Timothy Sharp, baritone; Wayne Alan Behr, tenor; Jason Collins, tenor |
|
Act II, Scene Six: Soprony Street/"The Red Lamb" (A Tavern) - "Schweik!"
|
Robert Kurka
|
Chicago Opera Theater; Alexander Platt, Conductor; Timothy Sharp, baritone; Jason Collins, tenor |
|
Act II, Scene Six: Soprony Street/"The Red Lamb" (A Tavern) - "Sixteen Soprony, Madame Kokonyi"
|
Robert Kurka
|
Chicago Opera Theater; Alexander Platt, Conductor; Jason Collins, tenor; Timothy Sharp, baritone; Stephen Noon, tenor |
|
Con Flor y Canto
|
Robert Xavier Rodríguez
|
University of Miami Chorale; Timothy Sharp, Conductor; Miami Children's Chorus; Thomas M. Sleeper, Conductor; George Cordes, baritone; Rodney Nolan, tenor; University of Miami Symphony Orchestra & Chorale; Jo-Michael Scheibe, Conductor |
|